Playlist devant rendre fou, face E
(sinon elle n’est rien)
Soundtracks+Bach.
Overnight — Gonzales, Solo Piano (2004).
Touch of Satie. Love, L*.
I Want to be a Good Guy — Chan Kwong Wing, Infernal Affairs (2002).
The film itself is absolutely brilliant.
(Prelude to) Bach Cello Suite No. 4 in E-flat major, BWV 1010 — Mstislav Rostropovich.
- The Wasteland Massacre and the Reminiscence of Geisha — Suzuki Keiichi, Zatoichi (2003).
The film itself is a masterpiece of contained violence and ridiculous excess of dancing and forced smiling.
Love Remembered — Wojciech Kilar, Bram Stoker’s Dracula (1992).
El Que Se Tenga Por Grande — Talegón de Córdoba & Jorge Rodriguez Padilla, The Limits of Control (2009).
The film has received mixed reviews. I enjoyed the deadpan atmosphere and Jarmusch clinical touch—flesh and fire brought to mere script, and, perhaps, unintended.
Ice Dance, Edward Scissorhands (1990).
It came as the most pleasant surprise that two hearts sent me that track at the same time.
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